Red Nun's OST Guide

The Remothered: Red Nun's Legacy soundtrack closes the saga with 25 tracks and a collaborative score from Akira Yamaoka and Aram Shahbazians. That makes it more than a collectible for series fans: it is a full album with vocal pieces, string performances, and three studio-session bonuses. If you want to know what the Remothered: Red Nun's Legacy soundtrack includes, how long it runs, and which tracks to hear first, this guide gives you the details in one place.

What the Remothered: Red Nun's Legacy Soundtrack Includes

The Remothered: Red Nun's Legacy soundtrack is the official soundtrack album for the saga's final chapter. It contains 25 tracks: 22 main cues and three bonus tracks. Akira Yamaoka and Aram Shahbazians composed the music, and the release includes more than one hour of original music. The listed track times add up to 62:09, so the hour-plus promise holds up.

The Remothered: Red Nun's Legacy soundtrack divides cleanly into two blocks. The 22 main tracks run 52:03, while the three Yamaoka Session bonuses add 10:06. The average main cue is about 2:22, but the shortest is only 1:03 and the longest is 3:43. That range matters if you want a quick cue for a playlist or a longer piece for a focused listen.

Before you press play, scan the complete 25-track listing so you know where the short cues and longer pieces sit. You can follow the sequence from "In My Cradle of Wounds" to "Following" and decide whether to take the main program first or the full set.

Tracklist: Every Main Cue in Order

The main sequence of the Remothered: Red Nun's Legacy soundtrack runs from the opening cue, "In My Cradle of Wounds," through "Susan." Listening in order is the simplest way to hear the album as programmed. The shortest main track is "Conditioning" at 1:03; the longest is "In My Cradle of Wounds" at 3:43.

Eight of the 22 main cues finish under two minutes, including "Conditioning" (1:03), "Captive" (1:20), and "Bridal Chorus" (1:36). Six cues run three minutes or longer, led by "In My Cradle of Wounds" (3:43), "Lingering Traces" (3:21), and "The Red Nun" (3:09). The other eight sit between two and three minutes.

Those length groups are not a ranking. They are a practical way to plan a listen. If you have five minutes, you can hear two or three short cues without cutting a long track in half. If you want the longest pieces, start with the three-minute-plus group.

The title sequence also gives you clear signposts. "The Red Nun," "Novices," "The Bride," and "White Witch" sit among the main cues, while "Hope" is a one-word title at track 3. Use those names as playlist markers rather than treating the album as one continuous block.

Bonus Tracks and the Yamaoka Session

The bonus section of the Remothered: Red Nun's Legacy soundtrack adds three Yamaoka Session tracks: "Grief," "Rats," and "Following." Together they run 10:06, which brings the complete album to 62:09. Save them for a second pass if you want the main 22-track program to land first.

The bonus tracks are the longest average block at 3:22 per track. "Grief" is the longest at 4:39, while "Following" is the shortest at 2:14. That makes the bonus material easy to treat as a separate listen rather than an afterthought.

If you are comparing the main score with session material, play track 22, pause, then start track 23. The gap keeps "Susan" as the main-program closer and lets "Grief" open the bonus block. This is a listening recommendation, not a required order; the track numbers already give you that structure.

Composers, Credits, and Musical Palette

The Remothered: Red Nun's Legacy soundtrack pairs Akira Yamaoka with Aram Shahbazians. Yamaoka is credited with the Silent Hill series, so his name will be familiar to horror-score listeners. Shahbazians shares composer duties and also handles mixing and mastering. The collaboration places a well-known genre credit beside a hands-on production role.

The performance credits are compact but specific. Violin, cello, and drummophone are named alongside three vocalists, with lyrics by Antonio Cutrona. For listeners who notice instrumentation, those credits are the fastest way into the album's texture: strings, percussion, and voice are all part of the palette.

That mix also explains why the album rewards a closer listen. The credits do not point to a faceless synthetic score; they name individual players and singers. If you usually keep soundtracks in the background, try one full pass with the credits in view so you can connect the names to the tracks.

How to Listen: A Practical Run-Through

A first pass through the Remothered: Red Nun's Legacy soundtrack should follow the numbered order. The album is short enough for one sitting at 62:09, and the track lengths make it easy to split into a 52:03 main program plus a 10:06 bonus block. Use the table below to choose the pass that fits your time.

Use the first pass to learn the track order, not to skip around. The album has 25 numbered tracks, and the bonus material is clearly separated at 23–25. Once you know the main program, you can jump to the short cues or save the Yamaoka Session for a later listen.

Headphones are worth the effort because the credits list violin, cello, drummophone, and three vocalists. A quiet listen makes it easier to follow those layers. If you need a short listen, pick from the eight main cues under two minutes; they finish quickly and leave the longer pieces intact.

If you are building a playlist, keep the 22 main cues together and put the three bonus tracks in a separate block. That preserves the album's intended sequence and gives you a 52:03 main program plus a 10:06 bonus section.

FAQ

How many tracks are on the Remothered: Red Nun's Legacy soundtrack?

The Remothered: Red Nun's Legacy soundtrack has 25 tracks: 22 main cues and three bonus tracks. The listed times add up to 62:09.

Who composed the music?

Akira Yamaoka and Aram Shahbazians composed the soundtrack. Shahbazians also handled mixing and mastering, and Antonio Cutrona wrote the lyrics.

Are the bonus tracks part of the main album?

They are included as tracks 23–25 and add 10:06. The main program ends with "Susan" at track 22.

What is the best way to hear it first?

Play the 22 main tracks in order, then move to the bonus block. If you have only a few minutes, pick one of the eight main cues under two minutes, such as "Conditioning" or "Captive."